Morrill Hall Launches “Meteorites and Minerals” Exhibit

Amethyst Cathedral Pair

This past weekend, a new “Meteorites and Minerals” exhibit was launched at Morrill Hall on the University of Nebraska-Lincoln City campus.

The event curator, Professor Robert Joeckel of the School of Natural Resources, explained that the exhibit was inspired by Roger Pabian, a geologist of the Conservation and Survey Division of the school.

Pabian, a dedicated rock, gem and fossil collector, passed away two years ago at the age of 75, and the new exhibit was established in part to commemorate him.

Joeckel said: “When Roger passed away, I felt somewhat obligated to take over.” He added that some of the minerals from the collection have a direct relation to everyday life. “The one that is most prevalent is the mineral fillers that make products what they are,” he explained. “Synthetic rubbers and plastics have a lot of mineral material in them.”

Joeckel continued, explaining his hopes that the exhibit would lead people to consider materials and their effect on daily life. “Our national security and our everyday lives depend on a flow of raw materials from the solid earth.”
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Some of the minerals, however, are expensive and rare. One of the exhibit’s new purchases is the “Amethyst Cathedral Pair,’ a meteorite containing a big amethyst crystal.

According to University Museum Associate Director Mark Harris, Morrill Hall has never hosted an exhibit as impressive as this. It took over a year to organize, and the items on display were collected through various means. Some were loaned by private collectors, while others were purchased with the help of a Lancaster Country Visitors Improvement Fund grant.

Harris added that he was ecstatic about the new display. “The sheer beauty will blow people’s minds!” he said.

 

Discovery Takes Off on Last Journey to New Home

Discovery, the oldest surviving space shuttle of NASA’s fleet, is about to embark on her last journey- to the Smithsonian Institution.

Discovery’s maiden voyage was launched in 1984, and she has traveled to outer space 39 times since then. Her experience makes her the number one shuttle in history, completing more missions in our solar system than any other.

Discovery’s feats include delivering the Hubble Space Telescope to orbit; connecting with Mir, the Russian space station with the first female shuttle pilot; being the first U.S. spaceship to launch a Russian cosmonaut; boosting shuttle flights after the Challenger and Columbia tragedies; and returning John Glenn to orbit.

Discovery will arrive at the Smithsonian’s hangar via a modified jumbo jet, after a farewell flight over Cape Canaveral and Washington D.C. Security officers, firemen, shuttle workers and, of course, Discovery’s last astronaut crew all gathered at Kennedy Space Center to say their goodbyes.

“It’s good to see her one more time, and it’s great that Discovery is going to a good home. Hopefully, millions of people for many, many years to come will go see Discovery,” Steven Lindsey, the last astronaut to command the shuttle, said emotionally. “It’s also sad…it’s sad to see that the program is over.”
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Discovery will replace Enterprise, the spaceship prototype that was used only in landing tests over four decades ago. Enterprise will go on display in New York’s Intrepid Sea, Air, and Space Museum.

Stephanie Stilson, a NASA manager, said “To see her like this is quite an amazing site. We’re finally here.” She added that it’s been almost exactly one year since Discovery’s last mission.

Still, “there’s no denying the sadness associated with it,” according to another of Discovery’s last crew.

Victoria and Albert Museum to Launch Hollywood Costume Exhibit

London’s Victoria and Albert Museum is planning a new exhibit called “Hollywood Costume” which aims to boost appreciation of costume design and similar behind-the-scenes crafts.

The gallery, consisting of three sections, will utilize film clips, projection and other forms of staging in order to display the costumes in their most realistic contexts. Legendary directors, designers and actors such as Martin Scorsese and Alfred Hitchcock will provide interviews, and Meryl Streep and Robert De Niro will give personal explanations on the importance of costume in building characters.

The exhibit will feature more than one hundred famous costumes, including the blue and white pinafore from “The Wizard of Oz,” Vivien Leigh’s green curtain dress from “Gone with the Wind,” and Audrey Hepburn’s black Givenchy from “Breakfast at Tiffany’s.” The featured outfits will range from Charlie Chaplain’s silent films, to looks from “Titanic,” to more modern costumes from films like “Avatar”.

Ann Roth, an Academy Award-winning costume designer, recently discussed the art with the exhibit’s senior guest curator Deborah Nadoolman Landis. Landis worked in costume design as well, and now leads the David C. Copley Center for Costume Design at UCLA.

She explained: “Our directors depend on us to create these characters. I hate to say this but we are really looking for truth in that character.”
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Roth also has experience in the field, having done costume design for films including “The Talented Mr. Ripley” and “Midnight Cowboy.” She added that her and her team are much more enthusiastic about working with actors who hope to develop their character, as opposed to “movie stars” who maintain an image with demands like “I don’t wear yellow.”

She added, “Meryl Streep is of course perfection. We can stand in a fitting room and by an hour into it, there are 14 half pairs of earrings, waist-cinchers, shoes with heels, shoes without heels, telephone books to put on the heels, dressmakers, someone to take notes, a hairdresser. It’s sweaty and tiresome. There’s a three-way mirror that she’s looking into.”

Roth explained that eventually “the character happens and there’s no controlling it. Once that happens, you know what to do.”

Approaches, Opinions and Debates on the Kony 2012 Video

Kony 2012 Campaign Poster

For those of you who live on another planet and have not yet seen the Kony 2012 video, which, in a matter of days, has become one of the most  viral media campaigns in history, do so now.

The thirty minute video uses Hollywood-quality effects and digital media tools to expose the plight of children in Uganda, revealing the war crimes and horrors they have suffered at the hands of LRA leader Joseph Kony. The Invisible Children sensation has triggered worldwide awareness, donations, support and of course, controversy.

Before focusing on the content itself, I wanted to point out the unmistakable ad-like ending of the clip, which encourages viewers to purchase the ‘Action Kit’ that includes bracelets, posters etc. The bracelets themselves are aimed at collecting more contributers; with an i.d. number on each one that unlocks the website and allows you to ‘join the mission’, as well as an extra one to share with a friend. Oh, and by the way, if you donate money through TRI, you can have the Action Kit for free.

That said, the campaign’s message is certainly admirable. Joseph Kony did commit the crimes stated in the video, and has been the source of terror throughout Uganda for many years. His actions, as part of the LRA, left long-lasting scars on the Ugandan people, and should not be ignored or forgotten. Besides, raising society to a more idealistic, more involved level is never a bad thing, and the uproar across the globe has been inspiring.

Still, reactions have been mixed. Numerous activists, bloggers, journalists and citizens of Uganda have lashed out at the video for its flashy style, pure emotional assault, and mostly accurate, though highly misleading, content. For example, Kony has not been active in Uganda for nearly a decade, nor has he been seen in over six years. The LRA still causes tremendous suffering, but has ventured outside of Uganda, and numbers at most in the hundreds.

Liz Wainwright, a photojournalist working in Uganda, shared her experiences and expressed her respect for Invisible Children. She did say, however, that “Most of the people working for Invisible Children are media professionals not development professionals. That’s important, but you need the expert input. It’s hard, I’m caught in the middle; I do admire them. They are having a great impact in northern Uganda….But then I don’t agree in the film itself. It was a little self-indulgent, emotive…”

Passionate writers have addressed this topic relentlessly over the past few weeks. Amber Ha, a blogger who focuses on similar issues worldwide, addressed Jason Russel of Invisible Children in a recent post.
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She wrote: “Last year I went to Gulu, Uganda, where Invisible Children is based, and interviewed over 50 locals.  Every single person questioned Invisible Children’s legitimacy and intention. Every single person. If anything, it seemed the people saw Invisible Children as a bigger threat than Joseph Kony at the time. Why is it the very people you are trying to “help” feel more offense than relief with your aid?”

She addressed several other issues that have been expressed by Ugandan natives as well, including the dramatically simplified conflict, the inevitably violent results, and the glorifying of the American activists, as opposed to the Ugandan people.

As I mentioned above, Ha is not alone in her approach. For at least half a decade, Northern Uganda has been subject to a precarious, but slowly stabilizing, peace. Many believe that the Invisible Children’s new video, along with the U.S. military involvement, will shatter the quiet and provoke a fresh wave of attacks. The Ugandans still suffer from the aftermath of Kony’s actions, both physically and psychologically, but the situation is complex.

Michael Wilkerson, a journalist who has reported from and lived in Uganda, wrote: ““It would be great to get rid of Kony.  He and his forces have left a path of abductions and mass murder in their wake for over 20 years….” He concluded, however, with a statement saying “it is unclear how millions of well-meaning but misinformed people are going to help deal with the more complicated reality.”

Ugandan blogger and journalist Rosebell Kagumire posted a video response to the Kony 2012 video, revealing another reason for aggravation which likely represents the widespread feelings of Northern Ugandans:

Several other video reponses have been broadcast on YouTube, Facebook and other social media platforms, and the topic is heavily debated on every major news site today. What do you think?

Indiana’s Deadliest Tornadoes

Three days ago, on March 2nd, several tornadoes struck southern Indiana. Washington, Jefferson, Ripley, Clark and Scott counties were affected, and more than 14 people were killed.

These were certainly not the first twisters to hit the region, nor were they the worst. Here is a list of some of the deadliest tornadoes in Indiana history:

 

  • The ‘Tri-State Tornado’ struck in March, 1925, sweeping from southern Missouri to southwestern Indiana at more than 200 miles per hour. More than 730 people were killed across the two states, while more than half of Princeton was wiped out.

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  • In April of 1965, Palm Sunday saw ten tornadoes strike Indiana. This disaster was the most deadly in the state’s history, causing more than 137 casualties and 1,700 injuries, as well as over $30 million in property damage. As a result, the state worked to develop more efficient tornado safety plans.

 

  • In 1974, more than twenty tornadoes struck in April, killing at least fifty citizens and injuring more than one thousand, a tragic but significant improvement on earlier crises.

 

  • Sixteen years later, in June of 1990, no less than 37 tornadoes struck Indiana, affecting 31 counties and killing at least ten people in Petersburg and Bedford.

 

  • In November of 2005, more than 22 people were killed by a tornado in Vanderburgh and Warrick counties, also in southwestern Indiana.

US Education and Funding: The Good, The Bad, And The Ugly

 

It’s not clear whether Angelo State University is doing well or going down the pan, since it boasts extremely good statistics in some areas, yet has disastrous reports in others.  The University – a member of the Texas Tech University System – offers undergraduate and graduate programs in a wide variety of disciplines.  Ultimately though its mission is to prepare its students to “be responsible citizens and to have productive careers.”  While last year witnessed higher student enrollment than ever before at the educational institute, things aren’t so optimistic for those graduates trying to enter the job market in Texas’ less-than-stable economy.  In addition, those studying at ASU are struggling to survive financially.

The Good, Bad and Ugly

Nonetheless, the college did receive a $5m award, to be put towards the enhancement of its programs in the following areas: engineering, math, science and technology as part of its Hispanic Serving Institution (HSI) status.

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As noted in the Progress 2012 report, because of the nation’s economic environment, ASU lost huge state funding (totaling 10 percent from its budget) per annum.  So what did this mean for the college that was bringing in increasingly more students because it is becoming so much more attractive due to what it can offer?  It had to forfeit this privilege.  It was forced to cut over 30 positions in faculty/staff and merge two of its colleges in an effort to reduce costs.

And then things took a turn for the worse.  Looking at the 2012 edition of Best Colleges from U.S. News and World Report, ASU came in fourth in the West for regional universities with the lowest levels of debt owed by graduates.  Thus losing all this financial backing was incredibly demeaning, disappointing and yes, could even be termed ugly, as the college had worked so hard and been so successful.  In addition, its six-year graduation rate is approximately 10 to 15 percent lower than its peer institutions.

Surely there should be some kind of solution for a college such as ASU that is clearly working hard to be the best it can be, proving itself by attracting tons of students to its campus?  Why does education have to be just about money?  Why can’t it be more about student talent, faculty dedication and a constant strive for improved quality in everything being offered under its tutelage?  This is “Progress 2012”?  If that’s the case then there’s clearly something wrong with the system; the system that loses funding apparently in spite of its greater efforts and success which ultimately acts as a boomerang effect on what it has – successfully – set out to do.